Ghost Brigade - Until Fear No Longer Defines Us 1920x1200 1920x1080
I thought this looked good with the text. If you don't want it leave a comment and I'll get around to it.
1920x1200
1920x1080 and a youtube sample after the break.
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Edgar Degas - After the Bath
As promised, here is "part four" of my posts on Edgar Degas. He did quite a big series of studies of women after bathing, so I thought I'd dedicate a post to showing some of them. I don't have dates for all of the works.
For biographical notes on Degas see post "Edgar Degas - part 1"
For biographical notes on Degas see post "Edgar Degas - part 1"
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| 1876 After the Bath |
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| c1883 After the Bath |
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| 1884 After the Bath |
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| 1884 After the Bath, Woman Drying Herself |
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| 1884-86 Woman Combing her Hair |
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| 1885 After the Bath (study) |
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| 1885 The Tub |
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| 1886 Woman in the Bath |
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| c1890-93 After the Bath |
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| c1890-95 After the Bath, Woman Drying Herself |
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| 1895 After the Bath, Woman from Behind |
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| 1896 After the Bath |
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| 1896 After the Bath |
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| 1896 After the Bath |
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| 1898 After the Bath, Woman Drying her Nape |
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| After the Bath |
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| After the Bath |
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| After the Bath |
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| After the Bath |
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| After the Bath |
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| After the Bath, Woman Drying her Hair |
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| After the Bath, Woman Drying her Leg |
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| After the Bath, Woman Drying Herself |
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| After the Bath, Woman Drying Herself |
Max Ernst - part 2
This is part two of a two-part post on the works of German artist Max Ernst. For a look at his paintings and for biographical notes see part one below.
Une semaine de bont� (A week of kindness) is a graphic novel and artist's book first published in 1934. It comprises 182 images created by cutting up and re-organizing illustrations from Victorian encyclopedias and novels.
The earliest collage books by Ernst, R�p�titions and Les malheurs des immortels date from 1922, the year the artist moved to Paris. They were created in collaboration with poet Paul Eluard. Ernst went on to produce numerous collage-based paintings, and more collage books. The largest and most important before Une semaine de bont� were La femme 100 t�tes (1929) and R�ve d'une petite fille qui voulut entrer au carmel (1930).
Une semaine de bont� was completed in 1933 in just three weeks, during a visit to Italy. A few of Ernst's sources were identified: these include illustrations from a 1883 novel by Jules Mary, Les damn�es de Paris, and possibly a volume of works by Gustave Dor� Ernst purchased in Milan. The completed novel was first published in Paris in 1934 as a series of five pamphlets of 816 copies each
The work originally appeared in five volumes, but is actually divided into seven sections named after the days of the week, beginning with Sunday. The first four published volumes covered a day each, whereas the last volume covered three: Thursday, Friday, and Saturday. Each of the seven sections is associated with an element, and is provided with an example of the element, and an epigraph.
A contemporary version was published in 1978 as �Une Semaine de Bont�: A Surrealistic Novel in Collage� by Max Ernst and Stanley Appelbaum.
Une semaine de bont� (A week of kindness) is a graphic novel and artist's book first published in 1934. It comprises 182 images created by cutting up and re-organizing illustrations from Victorian encyclopedias and novels.
The earliest collage books by Ernst, R�p�titions and Les malheurs des immortels date from 1922, the year the artist moved to Paris. They were created in collaboration with poet Paul Eluard. Ernst went on to produce numerous collage-based paintings, and more collage books. The largest and most important before Une semaine de bont� were La femme 100 t�tes (1929) and R�ve d'une petite fille qui voulut entrer au carmel (1930).
Une semaine de bont� was completed in 1933 in just three weeks, during a visit to Italy. A few of Ernst's sources were identified: these include illustrations from a 1883 novel by Jules Mary, Les damn�es de Paris, and possibly a volume of works by Gustave Dor� Ernst purchased in Milan. The completed novel was first published in Paris in 1934 as a series of five pamphlets of 816 copies each
The work originally appeared in five volumes, but is actually divided into seven sections named after the days of the week, beginning with Sunday. The first four published volumes covered a day each, whereas the last volume covered three: Thursday, Friday, and Saturday. Each of the seven sections is associated with an element, and is provided with an example of the element, and an epigraph.
A contemporary version was published in 1978 as �Une Semaine de Bont�: A Surrealistic Novel in Collage� by Max Ernst and Stanley Appelbaum.
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