Continuing the intermittent theme on the New York "Ashcan School" (see Introduction 4 Oct 2012 and William Glackens 6 Oct - 14 Oct), the next artist I'm featuring is Robert Henri.

Robert Henri (1865 � 1929) was born Robert Henry Cozad in Cincinnati in 1865, the son of a professional gambler and businessman. In 1881 he accompanied his family to Denver. When his father was indicted for manslaughter a year later the Cozads changed their name and fled to Atlantic City, New Jersey.

In 1886 Henri enrolled at the Pennsylvania Academy of the Fine Arts, where he studied under Thomas Anshutz, Thomas Hovenden, and James B. Kelly. In 1888 he went to Paris and enrolled at the Acad�mie Julian under Adolphe-William Bouguereau and Tony Robert-Fleury. During the summers he painted in Brittany and Barbizon, and visited Italy prior to being admitted to the Ecole des Beaux-Arts in 1891. He returned to Philadelphia later that year, and in 1892 resumed studying at the academy. He also began his long and influential career as an art teacher at the School of Design for Women, where he taught until 1895.

During this period he met the young newspaper illustrators who would later achieve fame as members of The Eight: John Sloan, William Glackens, George Luks, and Everett Shinn. He made regular trips to Paris where he was particularly influenced by Edouard Manet, Frans Hals, and Diego Vel�zquez. In 1899, one year after his marriage to Linda Craige, one of his paintings was purchased for the Mus�e National du Luxembourg.

In 1900 Henri settled in New York and taught at the New York School of Art from 1902 to 1908. He gradually began to reject the genteel traditions of academic painting and impressionism, and turned his attention to urban realist subjects executed in a bold, painterly style. In 1906 he was elected to the National Academy of Design, and that summer he taught in Spain.

When the academy refused to exhibit works by Henri's circle in its 1907 annual show, he resolved to organize an independent exhibition. The result was the famous show of The Eight held at the Macbeth Gallery in February 1908. That year he married his second wife, the illustrator Marjorie Organ. In 1910 he organized the first "Exhibition of Independent Artists," between 1911 and 1919 he arranged jury-free exhibitions at the MacDowell Club, and in 1913 he helped the Association of American Painters and Sculptors organize the Armory Show. Henri's influence began to wane after the ascent of European modernism, although he continued to win numerous awards. He taught at the Art Students League from 1915 until 1927.

Although Henri was an important portraitist and figure painter, he is best remembered as a progressive and influential teacher. His ideas on art were collected by former pupil Margery Ryerson and published as The Art Spirit (Philadelphia, 1923). He died in 1929 at the age of sixty-four.

This is part 1 of 6-part post on the works of Robert Henri:

c1890-1900 Party Scene ink on paper 20 x 20.6 cm

c1890 In the Woods oil on canvas 26.7 x 36.4 cm

1891 Early Morning, Venice oil on canvas 27 x 40 cm

1892 Cafe� du Dome oil on canvas 66 x 81 cm

1893 Sunlight, Girl on Beach, Avalon oil on canvas 46.7 x 61.6 cm

c1893-95 Street Corner oil on canvas 33 x 41.3 cm

1894 Strawberry Mansion pencil on paper 28.8 x 20 cm

c1895-7 Place in Paris oil on panel 26 x 33 cm

c1895-99 Cafe� Bleu, St. Cloud oil on panel 8.6 x 14.9 cm

c1895-99 Cafe� by Night with Japanese Lanterns oil on panel 12.1 x 14.6 cm

1896 A Garden Path oil on canvas 40.9 x 32.8 cm

1896 At Joinville oil on canvas 66 x 78.7 cm

1896 Street Corner in Paris oil on panel 11.4 x 17.1 cm

1898 Irish Boy oil on canvas 61 x 50.8 cm

1898 Montparnasse oil on canvas 46 x 61 cm

1898 Woman in Manteau oil on canvas 147.5 x 98.3 cm + note

1899 Au Jardin du Luxembourg oil on canvas 81 x 65 cm

1899 Fete du Dieu, Concarneau oil on canvas 64 x 81 cm

1899 Normandy Interior oil on canvas 64.8 x 81.2 cm

c1899 Seated Nude sepia ink & watercolour on paper 17 x 11 � in

c1899 Sidewalk Cafe� oil on canvas 81.6 x 65.7 cm

1900 East River Embankment, Winter oil on canvas 65.3 x 81.4 cm

1900-02 On the East River oil on canvas 65.4 x 81.6 cm

1901-2 Cumulus Clouds, East River oil on canvas 65 x 81 cm

1902 Derricks on the North River

1902 Pequot Light House, Connecticut Coast oil on canvas 65 x 81 cm

1902 Portrait of George Luks oil on canvas 80.9 x 66 cm

1902 Portrait of Miss Leora Dryer in Riding Costume oil on canvas 195.6 x 90.2 cm

1902 Snow in New York oil on canvas 81 x 66 cm

1902 Storm Weather - Wyoming Valley oil on canvas 66 x 81.3 cm

1902 Street Scene with Snow oil on canvas 66 x 81 cm

1902 Summer Storm oil on panel 8 x 10 cm

1902 The March Wind oil canvas 66 x 81.9 cm

1902 The Rain Clouds (Paris) oil on canvas 66 x 81.9 cm

1902 The Rainbow, Normandie oil on canvas 65.4 x 81.3 cm

c1902 At Far Rockaway oil on canvas 66 x 81 cm

1903 Leunkin Bay, June oil on canvas 20.3 x 25.4 cm

1903 Monhegan Island oil on panel 20.3 x 25.4 cm

1903 Rough Seas near Lobster Point oil on panel 20.3 x 25.4 cm

1903 Study for Storm Tide oil on board 20.3 x 25.4 cm

1903 Storm Tide oil on canvas 66 x 81.3 cm

1904 George Luks oil on canvas 194.3 x 97.2 cm