Claude Monet part 1 - introduction

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This will be a big series of posts covering Monet�s work. To prevent boredom taking over (on the part of the reader), I may take a break or two as it goes along. I�ll be guided by the number of �pageviews� the posts are getting.



Claude Monet portrait by August Renoir 1872 oil on canvas Muse�e Marmottan-Monet, Paris
Claude Oscar Monet was born in 1840 in Paris. He was the second son of Claude Adolphe Monet and Louise Justine Aubr�e Monet, both of them second-generation Parisians. In 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery business, but Monet wanted to become an artist.
In 1851 Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs.
 
Claude Monet - Man with a Large Nose graphite on paper 25 x 15 cm
Monet also undertook his first drawing lessons from Jacques-Fran�ois Ochard, a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857, he met fellow artist Eug�ne Boudin, who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air� (outdoor) techniques for painting.  In 1857 Monet�s mother died. At the age of sixteen, he left school and went to live with his widowed aunt, Marie-Jeanne Lecadre.

When Monet travelled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Monet was in Paris for several years and met other young painters who would become friends and fellow impressionists; among them �douard Manet.
 
In 1861, Monet joined the First Regiment of African Light Cavalry in Algeria for a seven-year commitment, but two years later, after he had contracted typhoid fever, his aunt intervened to get him out of the army if he agreed to complete an art course at an art school. It is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter. Disillusioned with the traditional art taught at art schools, in 1862 Monet became a student of Charles Gleyre in Paris, where he met Pierre-Auguste Renoir, Fr�d�ric Bazille and Alfred Sisley. Together they shared new approaches to art, painting the effects of light en plein air with broken colour and rapid brushstrokes, in what later came to be known as Impressionism.

Monet's Camille or The Woman in the Green Dress (La femme � la robe verte), painted in 1866, brought him recognition and was one of many works featuring his future wife, Camille Doncieux; she was the model for the figures in Women in the Garden of the following year, as well as for On the Bank of the Seine, Bennecourt, 1868. Camille became pregnant and gave birth to their first child, Jean in 1867.


Claude Monet - 1866 The Woman in a Green Dress (Camille) oil on canvas 90.9 x 59.4 cm Kunsthalle, Bremen, Germany
After the outbreak of the Franco-Prussian War in 1870, Monet took refuge in England, where he studied the works of John Constable and JMW Turner, both of whose landscapes would serve to inspire Monet's innovations in the study of colour. In the spring of 1871, Monet's works were refused inclusion in the Royal Academy exhibition.
 
In 1871, he left London to live in Zaandam in the Netherlands, where he made twenty-five paintings (and the police suspected him of revolutionary activities). He also paid a first visit to nearby Amsterdam. In late 1871 he returned to France. Monet lived from December 1871 to 1878 at Argenteuil, a village on the right bank of the Seine river near Paris, and a popular Sunday-outing destination for Parisians, where he painted some of his best known works. In 1874, he briefly returned to Holland.

In 1872, he painted Impression, Sunrise (Impression, soleil levant) depicting a Le Havre port landscape. It hung in the first Impressionist exhibition in 1874 and is now displayed in the Mus�e Marmottan-Monet in Paris. From the painting's title, art critic Louis Leroy coined the term "Impressionism�, which he intended as disparagement but which the Impressionists appropriated for themselves.


Claude Monet - 1872 Impression, Sunrise oil on canvas 48 x 63 cm Muse�e Marmottan-Monet, Paris
Also in this exhibition was a painting titled Boulevard des Capucines, a painting of the boulevard done from the photographer Nadar's apartment at no. 35. There were, however, two paintings by Monet of the boulevard: one is now in the Pushkin Museum in Moscow, the other in the Nelson-Atkins Museum of Art in Kansas City. It has never become clear which painting appeared in the groundbreaking 1874 exhibition, though more recently the Moscow picture has been favoured.
 
Claude Monet - 1873 Boulevard des Capucines oil on canvas 79.4 x 59 cm Nelson-Atkins Museum of Art, Kansas City MO

Claude Monet - 1873 Boulevard des Capucines oil on canvas Pushkin Museum of Fine Art, Moscow
Monet and Camille Doncieux had married just before the war in June 1870 and, after their excursion to London and Zaandam, they had moved to Argenteuil, in December 1871. It was during this time that Monet painted various works of modern life. Camille became ill in 1876. They had a second son, Michel in 1878. This second child weakened her already fading health. In that same year, Monet moved to the village of V�theuil. On 5 September 1879, Camille Monet died of tuberculosis at the age of thirty-two. Monet painted her on her death bed.
 
Claud Monet - 1879 Camille on her Deathbed oil on canvas 90 x 68 cm Muse�e d'Orsay, Paris
After several difficult months following the death of Camille in September, 1879, a grief-stricken Monet (resolving never to be mired in poverty again) began in earnest to create some of his best paintings of the 19th century. During the early 1880s, Monet painted several groups of landscapes and seascapes in what he considered to be campaigns to document the French countryside. His extensive campaigns evolved into his series' paintings.
 
Camille Monet had become ill with tuberculosis in 1876. Pregnant with her second child, she gave birth to Michel Monet in March 1878. In 1878 the Monets temporarily moved into the home of Ernest and Alice Hosched�, Ernest being a wealthy department store owner and patron of the arts. Both families then shared a house in V�theuil during the summer. After Ernest Hosched� became bankrupt and left in 1878 for Belgium, and after the death of Camille Monet in September 1879, and while Monet continued to live in the house in V�theuil; Alice Hosched� helped Monet to raise his two sons, Jean and Michel, by taking them to Paris to live alongside her own six children. They were Blanche Hosched� Monet, (she eventually married Jean Monet), Germaine, Suzanne Hosched�, Marthe, Jean-Pierre, and Jacques. In the spring of 1880, Alice Hosched� and all the children left Paris and re-joined Monet still living in the house in V�theuil. In 1881, all of them moved to Poissy, which Monet hated.

In April 1883, looking out the window of the little train between Vernon and Gasny, he discovered Giverny in Normandy. They then moved to Vernon, then to a house in Giverny where he planted a large garden and where he painted for much of the rest of his life. Following the death of her estranged husband, Alice Hosched� married Claude Monet in 1892.


Claude Monet - 1881 Alice Hosched� in the Garden oil on canvas 81 x 65 cm Private Collection
At the beginning of May 1883, Monet and his large family rented a house and two acres from a local landowner. The house was situated near the main road between the towns of Vernon and Gasny at Giverny. There was a barn that doubled as a painting studio, orchards and a small garden. The house was close enough to the local schools for the children to attend and the surrounding landscape offered many suitable motifs for Monet's work. The family worked and built up the gardens and Monet's fortunes began to change for the better as his dealer Paul Durand-Ruel had increasing success in selling his paintings. By November 1890, Monet was prosperous enough to buy the house, the surrounding buildings and the land for his gardens.
 

Monet's House at Giverny photo: Creative Commons Attribution

Monet's Studio, Giverny between 1899-1909 Archives of American Art, Smithsonian Institution
During the 1890s, Monet built a greenhouse and a second studio, a spacious building well lit with skylights. Beginning in the 1880s and 1890s through the end of his life in 1926, Monet worked on "series" paintings, in which a subject was depicted in varying light and weather conditions. His first series exhibited as such was of Haystacks, painted from different points of view and at different times of the day. Fifteen of the paintings were exhibited at the Galerie Durand-Ruel in 1891. He later produced several series of paintings including: Rouen Cathedral, Poplars, the Houses of Parliament, Mornings on the Seine, and Water Lilies that were painted on his property at Giverny.
 
Monet's garden and water lily pond at Giverny photo: Andrew Horne - Creative Commons Attributution
He wrote daily instructions to his gardener, precise designs and layouts for plantings, and invoices for his floral purchases and his collection of botany books. As Monet's wealth grew, his garden evolved. He remained its architect, even after he hired seven gardeners.
Between 1883 and 1908, Monet travelled to the Mediterranean, where he painted landmarks, landscapes, and seascapes, such as Bordighera. He painted an important series of paintings in Venice, Italy, and in London he painted two important series - views of the Houses of Parliament and of Charing Cross and Waterloo Bridges. His second wife, Alice, died in 1911 and his oldest son Jean, who had married Alice's daughter Blanche, Monet's particular favourite, died in 1914. After Alice died, Blanche looked after and cared for Monet. It was during this time that Monet began to develop the first signs of cataracts.

During World War I, in which his younger son Michel served and his friend and admirer Clemenceau led the French nation, Monet painted a series of weeping willow trees as homage to the French fallen soldiers. In 1923, he underwent two operations to remove his cataracts: the paintings done while the cataracts affected his vision have a general reddish tone, which is characteristic of the vision of cataract victims. It may also be that after surgery he was able to see certain ultraviolet wavelengths of light that are normally excluded by the lens of the eye; this may have had an effect on the colours he perceived. After his operations he even repainted some of these paintings, with bluer water lilies than before.

Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.

Monet's grave at Giverny photo: Remy Jouan - Creative Commons Attribution

His home, garden and water-lily pond were bequeathed by his son Michel, his only heir, to the French Academy of Fine Arts (part of the Institut de France) in 1966. Through the Fondation Claude Monet, the house and gardens were opened for visits in 1980, following restoration. In addition to souvenirs of Monet and other objects of his life, the house contains his collection of Japanese woodcut prints. Biographical notes on Claude Monet adapted from Wikipedia

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