Aubrey Beardsley � part 2

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Aubrey Beardsley by Walter Richard Sickert 1894 tempera on canvas 76.2 x 31.1 cm

Aubrey Beardsley (1872 � 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis at the age of 25.

This is part 2 of a 7-part post on the works of Aubrey Beardsley. For biographical notes and for earlier works, see part 1:

1893 The Landslip frontispiece to Pastor Sang

1893 The Studio Vol. 1 No. 1. Cover

1893 The Studio Vol. 1 No. 1. The Birthday of Madame Cigale graphite, ink, grey wash heightened with white 24.9 x 39 cm

1893 The Studio Vol. 1 No. 1. Les Revenants de Musique

1893 The Studio Vol. 1 No. 1. Siegfried Act II

1893-94 The Pall Mall Budget. Master Leo

1893-94 The Pall Mall Budget. Margery

1893-94 The Pall Mall Budget. The Disappointment of Emile Zola

1893-94 The Pall Mall Budget. Emile Zola

1893-94 The Pall Mall Budget. The Pilgrim (Old Style)

1893-94 The Pall Mall Budget. The Pilgrim (New Style)

1893-94 The Pall Mall Budget. Bullet-Proof Uniform - Tommy Atkins Thinks it Rather Fun

1892-94 Le Morte d�Arthur

This edition of Sir Thomas Malory's Morte d'Arthur was published in 1892 by J. M. Dent. Unlike the more elitist fine presses of the time, such as Kelmscott and Doves, Dent produced books priced to be accessible to a large audience. Titles were mass-produced and costs were kept to a minimum by utilizing the latest methods of mechanical reproduction. Bindings were likewise a low-cost item, often of heavy paper stock mechanically printed, as in the Library's complete, twelve-instalment example.

Illustrated by the young Aubrey Beardsley. His style of illustration at the time, with its elegant lines executed in high-contrast black and white, perfectly fit Dent's production values. With this work Beardsley found a broad popular audience�it was, in fact, this project that allowed him to give up his day job as an office-worker and pursue an artistic career.