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Aubrey Beardsley Self-Portrait |
Aubrey Beardsley (1872 � 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis at the age of 25. This is part 6 of a 7-part post on the works of Aubrey Beardsley. For biographical notes on Beardsley see part 1. For earlier works see parts 1 - 5 also.Warning: This post contains some drawings of a sexually explicit nature. |
c1895 Venus (Title-page design for The Story of Venus and Tannha�user) graphite and ink 11.3 x 8.1 cm |
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1895c The Mirror of Love (not used) first published in Aubrey Beardsley by Arthur Symons in 1898 |
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1896 Ali Baba in the Wood graphite and ink 24.6 x 17 cm |
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1896 Apollo Pursuing Daphne |
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1896 Cover design for Smithers' Catalogue of Rare Books |
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1896 Design for cover of Sappho by H. T. Wharton |
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1896 Cover of Sappho by H. T. Wharton (gold on blue) |
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1896 Frontispiece to An Evil Motherhood by Walt Ruding |
1896 Illustrations for Pierrot's Library: |
1896 Pierrot's Library title page |
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1896 Pierrot's Library |
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1896 Pierrot's Library |
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1896 Pierrot's Library |
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1896 Pierrot's Library |
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1896 Poster design advertising pocket volume of The Spinster's Scrip |
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1896 frontispiece for The Comedy of the Rhinegold |
1896 Illustrations for The Lysistrata of Aristophanes:
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1896 Lysistrata |
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1896 Lysistrata Haranguing the Athenian Women |
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1896 The Toilet of Lampito |
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1896 Lysistrata Defending the Acropolis |
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1896 Two Athenian Women in Distress |
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1896 The Examination of the Herald |
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1896 Cinesias Soliciting Myrrhina to Coition |
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1896 The Lacedaemonian Ambassadors |
1896 Illustrations for The Rape of the Lock:
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1896 Design for front cover |
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1896 Front cover |
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1896 The Dream pen and ink 25.4 x 17.1 cm |
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1896 The Billet-Doux |
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1896 The Toilet |
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1896 The Baron's Prayer graphite and ink 25.7 x 17.5 cm |
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1896 The Rape of the Lock |
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1896 The Barge |
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1896 The Battle of the Beaux and the Belles ink 17.6 x 25.7 cm |
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1896 The Cave of Spleen pen and ink 25.5 x 17.3 cm |
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1896 The New Star (cul-de-lampe) graphite and ink 30.8 x 18.4 cm |
1896 Illustrations for The Savoy:
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1895 Prospectus for The Savoy graphite and ink 24.3 x 17 cm |
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1896 Prospectus for The Savoy with burlesque cupid |
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1896 The Savoy compendium |
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1896 Proof Cover of The Savoy No. 1 |
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1896 Title Page for The Savoy graphite, ink and white gouache 36.9 x 28 cm |
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1896 The Savoy No. 1. The Three Musicans |
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1896 The Savoy No. 1. The Three Musicans (variant withheld) |
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1896 The Savoy No. 1. The Bathers (on Dieppe Beach) |
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1896 The Savoy No. 1. The Moska |
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1896 The Savoy No. 1. The Toilet of Helen |
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1896 The Savoy No. 1.The Abbe� |
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1895-6 The Savoy No. 1. The Fruit Bearers graphite and ink 25 x 17.8 cm |
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1896 The Savoy No. 1. A Large Christmas Card 15.6 x 23.5 cm |
A Large Christmas Card was a loose insertion in the first issue of The Savoy.
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1896 The Savoy No. 2 Cover |
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1896 The Savoy No. 2. The Ecstasy of St. Rose of Lima |
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1896 The Savoy No. 2. The Third Tableau of Das Rheingold |
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1896 The Savoy No. 3 Cover |
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1896 The Savoy No. 3 Cover |
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1896 The Savoy No. 3. The Coiffing from The Ballad of the Barber |
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1896 The Savoy No. 3. "Cul-de-Lampe" Cupid carrying a Gibbet |
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1896 The Savoy No. 5 signed Giulio Floriana as a practical joke. |
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1896 The Savoy No. 6. The Death of Pierrot |
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1896 The Savoy No. 6 Cover illustration The Fourth Tableau of Das Rheingold |
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1896 The Savoy No. 7 Cover |
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1896 The Savoy No. 7. Ave Atque Vale |
Illustrations for The Savoy continue in part 7, the final part of this posting on Beardsley.
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